Jim Beam & Voddi – Ak Ausserkontrolle songtexte

Jim Beam und Jacky, aus Versehen auf den Lappi
Hab’ die Hausparty zerstört und trotzdem findet sie mich sexy
Denn sie kennt „Ohne mein Team“, hat schon so oft dazu getanzt
Kommt die Melodie springt sie sofort auf mein’n Schw*nz
Zwei-Meter-Mann kommt in ‘n Club rein, Autorität so wie Suge Knight
Wenn die Frau’n erstmal seh’n wie mein Schmuck scheint hol’ ich ihn raus und sie lutscht gleich
Breakdance den Turtle, Rayban am Gürtel versuri-lyrics.info
Drei Uhr morgens mit Cabrio und Playmates durchs Viertel
Was ihr wollt, der ganze Kiez ist ein Schlampenstrich
Ich bin so süß, sie sieht meine Wampe nich’
Angewichst und zur Tanke geschickt, sie hat noch nie mit ein’m Mann gefickt
Mit ihrem Arsch, ich will reinbeißen, einseifen, sie steht auf Autos mit Breitreifen
Kurz Kentucky, was reinpfeifen und dann nach Hause, sie einreiten
Sie tauscht mit mir ihr Silikon gegen Million’n von Klicks
Will sich unbedingt ‘n jungen Pitty hol’n, doch von Hunden weiß sie nix
Kommt mein Track wird mitgerappt, wird sie frech gleich bitchgeslappt
Unsere Bilder stellst du nicht ins Netz, noch ein’n Hundefilter und ich schick dich weg. Jim Beam und Voddi, richtig mieser Body
Sie springt in den Swimmingpool, ich (ah) sie in der Lobby
Ich gib’s ihr (gib ihr, gib ihr), ich gib’s ihr (nimm sie durch)
Ich gib’s ihr (gib ihr, gib ihr), ich gib’s ihr (Sie is’ mein Hobby!)
Jim Beam und Voddi, richtig mieser Body
Sie springt in den Swimmingpool, ich (ah) sie in der Lobby
Ich gib’s ihr (gib ihr, gib ihr), ich gib’s ihr (in der Sonne)
Ich gib’s ihr (gib ihr, gib ihr), ich gib’s ihr (bis ich kommeee!)
Ak AusserKontrolle songtexte
Video Voddi
Songtexte Ak Ausserkontrolle – Jim Beam & Voddi
Ich komm’ angefahr’n im Daimler, auf Panda vom Designer
Black-Express-Card ist im Einsatz, mach’ das Flex klein für die Weiber
Gentleman, charmant, nimm das Sektglas in die Hand
Schenk’ ihr Sekt ein und sie tanzt dann extravagant
Sie sieht aus wie ‘ne Türkin, Bauchnabelpiercing
Sie hat zwar kleine Titten, doch ein’n Arsch wie ein Pfirsich
Langes, schwarzes Haar, ihre Lippen sind gespritzt
Guck, wir nehmen sie mit und geben ihr zu dritt
Sie zögert nicht lang und sie steigt in den Benz
Leg’ ihr paar Lines und wir landen im Bett
Schampus und Sekt, schamloser S*x
Geb’ ihr von hinten – Rammbockeffekt
Vodka, Tequila, Bacardi Rum und Chivas
Belvedere, sechs Liter, guck, sie schluckt mehr als Benziner
Sie ist fies, Skinny Jeans, gibt sich mies die Kante
Nimm’ sie in die Suite, gib ihr richtig tief, richtig miese Schlampe
Fünf Sterne, Luxuszimmer, argentinisch Rumpsteak
Panoramafenster, sie will einfach nur noch bum.(jim beam)
Jim Beam und Voddi, richtig mieser Body
Sie springt in den Swimmingpool, ich (ah) sie in der Lobby
Ich gib’s ihr (gib ihr, gib ihr), ich gib’s ihr (nimm sie durch)
Ich gib’s ihr (gib ihr, gib ihr), ich gib’s ihr (Sie is’ mein Hobby!)
Jim Beam und Voddi, richtig mieser Body
Sie springt in den Swimmingpool, ich (ah) sie in der Lobby
Ich gib’s ihr, ich gib’s ihr (in der Sonne)
Ich gib’s ihr, ich gib’s ihr (bis ich komme!)

Grande – Nash songtexte

Songtexte Nash – Grande
Grande! Mach nicht auf Pablo, ich hab’ alles schon geseh’n, Bruder
Ich hab’ den besten Kurs im Handel
Wir ticken groß, Bruder – grande! Mach nicht auf Chapo, ich hab’ alles schon geseh’n, Bruder
Ich hab’ das beste Koks im Handel
Wir ticken groß, Bruder – grande! Grande, grande, chill’ im Benz, ich chill’ in Jacuzzi
Cash in der Replay-Blue-Jeans, von Kopf bis Fuß in Gucci
Choya, ándale, amigo versuri-lyrics.info
Bestell’ paar Kilos im Wert von einer Million’n
Beamer perlenweiß – Albino
Du siehst mich wie De Niro im Casino
Kill’ ihn, Crystal Meth in meinen Air Max
Geb’ Gas und flüchte vor den Cops und schrotte mein’n Mercedes
Ballern Kilos für den AMG
Chill’ im Block, ich chill’ im Atelier
Geb’ kein’n F**k, bin morgen im Gefängnis
Doch kein Problem, denn KMN wird zur Legende! (x2)
Was sagt die Audemars Piguet? Was sagt die Audemars Piguet?
Mach nicht auf Pablo, ich hab’ alles schon geseh’n, Bruder
Ich hab’ den besten Kurs im Handel
Wir ticken groß, Bruder – grande! Was sagt die Audemars Piguet? Was sagt die Audemars Piguet? Was sagt die Audemars Piguet? Was sagt die Audemars Piguet? Mach nicht auf Chapo, ich hab’ alles schon geseh’n, Bruder
Ich hab’ das beste Koks im Handel
Wir ticken groß, Bruder – grande! Mach nicht auf Pablo, ich hab’ alles schon geseh’n, Bruder
Ich hab’ den besten Kurs im Handel
Wir ticken groß, Bruder – grandeee! Na na na na na na na na na naaa. Ich hol’ Azet von seinem Freigang mit dem Maybach
Ich chill’ am Block und geb’ ein’n F**k auf eure Cypher
Choya, stress nicht, weil ich leider keine Zeit hab’
Doch dieses Leben hinter Gittern wollte keiner
Zieh’ am Blunt vor dem Richter, lad’ die Gun und entsicher’
Geh mir aus dem Weg, alles gut, solang die Audemars Piguet glitzert
Choya, alles echt, hunderttausend in Cash
Mein Bruder geht auf Risiko für zwei Kilo Meth, eh
Ballern Kilos für den AMG
Chill’ im Block, ich chill’ im Atelier
Geb’ kein’n F**k, bin morgen im Gefängnis
Doch kein Problem, denn KMN wird zur Legende! Mach nicht auf Chapo, ich hab’ alles schon geseh’n, Bruder
Ich hab’ das beste Koks im Handel
Wir ticken groß, Bruder – grandeee! (x8)
Nash songtexte
Video Nash

The gunner – Machine Gun Kelly lyrics

That’s a major motion picture wallet
No, I do not want a comment
Don’t approach me, I am violent
Snapping pictures ’cause I’m styling
Let me make it very f*cking clear who I am
Do not start assuming, let me clear confusion
I am not a human, they call me a giant
I pick up the mic and I start a riot
I spit a verse and I change the climate
f*ck a dealer, man, I need the pilot
Drop the weight off like he on a diet
Hanging off of the balcony of the Hyatt
I started with one, and I’m multiplying
Now I got me 3 women like Frankie Lymon
And I got me a double X made in diamonds
b*tch, the dynasty never dying
Someone ring the sirens, I just f*ck the silence
I just sparked the loud up,, who the f*ck can stop us? (x4)
Machine Gun Kelly lyrics
Video gunner Let’s do this for real
Super sonic, super sonic
Psychedelics and some chronic
Still remain a trending topic
Five movies, let’s be honest, what you call it? I am the gunner. I resort to violence, no resorts and islands
You know where to find us.
I am the gunner. Lyrics Machine Gun Kelly – The gunner
Ayyyy, my walk is so cocky the bouncers don’t even stop me
Ain’t no pat down, no ID
They know me, that s**t obvi
b*tch I pack out the lobby just from fans tryna find me
I got daughters and mothers tryna f*ck with the gunner
Two tone suit like the Joker
My Harley Quinn wears a choker
Let them suicide doors up
So much smoke, can’t photo us
I’m out west like the gold rush, 1942 poured up
I ain’t spent one night sober since I turned 20 years old
But I’m on my Jeezy in 2005 “Trap or Die” s**t
The everyday 100, this ain’t no facade s**t
This that “Look me in my eyes and don’t you f*ckin’ lie” s**t
Still don’t need no opinions
b*tch, most these artists my minions, whoa
Any weed around me finna get burnt
No lie, I’m on fire versuri-lyrics.info
Hogtie anybody need a realization that they f*ckin’ with the wrong guy
I am the Alpha Omega, came from Sonic on a Sega
Crumblin’ chronic on the table
Mumbling lyrics in the basement
Like I’m finna go Super Saiyan
I’m saying I ain’t had a plan coming out the land
Hanging with my man, tryna slang a gram
Just to rent a van, just to try and tour
Turn some common clothing in to couture
Steal money from the sewer
Look at all that I been doing
All them years I couldn’t afford, places in the morgue
We are not the same, say the f*ckin’ name. (x4)

Musicals – Sunset Boulevard – Eternal Youth Is Worth A Little Suffering lyrics

ASTROLOGER
I don’t think you should shoot before July 15th
Right now is a perilous time for Pisces
If you want ’til Venus is in Capricorn
You’ll avoid a catalogue of crises

MASSEUR 1
I need three more weeks to get these thighs in shape
No more carbohydrates, don’t be naughty

MASSEUR 2
We’ll soon have you skipping like an ingenue
You won’t look a day over forty

BEAUTICIAN 1
We have dry heat, we have steam

BEAUTICIAN 2
We have moisturizing cream

BEAUTICIAN 3
We had mud-packs, we have blood sacks

BEAUTICIAN 2
It’s a rigorous regime

ALL
Not a wrinkle when you twinkle
Or a wobble when you walk

BEAUTICIAN 3
Of course, there’s bound to be a little suffering

ALL
Eternal youth is worth a little suffering

ANALYST
Listen to your super ego not your id
Age is just another damn neurosis
I’ll have you regressing back to infancy
And back into the womb under hypnosis

DOCTOR
I inject the tissue of the fetal lamb
The forumla’s the one Somerset Maugham owns
Just modest course of thirty-sevent shots
And you will be a heaving mass of hormones

ALL
No more crow’s feet, no more flab
No more love handles to grab
You’ll be so thin they’ll all think you’re
Walking sideways like a crab
Nothing sagging, nothing bagging
Nothing dragging on the floor

Of course, there’s bound to be a little suffering
Eternal youth is worth a little suffering
Of course, there’s bound to be a little suffering
Eternal youth is worth a little suffering
Of course, there’s bound to be a little suffering…

Musicals – Sunset Boulevard – Completion Of The Script lyrics

Mars is transiting Jupiter and today is the day of closest conjunction. No. JOE
My apartment. NORMA
Make sure it goes to Mr. JOE
It’s been real interesting. JOE
Oh, Norma, it’s not the money
Yes, of course, I’ll stay until we get some sort of news back from Paramount. JOE
You’re really going to give it to DeMille? JOE
Well, I can’t stay. And little by little I worked through to the end of the script. NORMA
Call? Thank you, Joe. NORMA
Great day. JOE
Did she read the script? And on a clear day, the theory was, you could see Catalina. JOE
So, Max wheeled out that foreign bus
Brushed the leopardskin upholstery
He trundled along to Paramount
To hand Cecil B. NORMA
Yes…hasn’t it? DeMille in person. So she had me moved into the main house. JOE
What do you mean? She read DeMille’s horoscope; she read mine. NORMA
Stop that! JOE
In December, the rains came. One great big package, over-sized,
Just like everything else in California;
And it came right through the roof of my room above the garage. JOE
Will you call and let me know as soon as you have some news? JOE
Oh well, that’s all right, then. NORMA
No, Joe. JOE
Well… MAX
Yes, Madame. JOE
I want to thank you for trusting me with your baby. Today’s the day. At which point I might have left:
Only by then those two boys from the finance company had traced my car and towed it away,
And I hadn’t seen one single dollar of cash money since I arrived. NORMA
You’ll stay on with full salary, of course… our hopeless opus
My work was over
I was feeling no pain
Locked up like John the Baptist Where? Into what Max called “the room of the husbands”. NORMA
Thank you. It’s just the beginning, it’s just the firt draft. NORMA
DeMille is Leo; I’m Scorpio. JOE
Norma, the script is finished. NORMA
Max. I couldn’t dream of letting you go, I need your support. NORMA
Not at all, it is I who should thank you. NORMA
Max is going to deliver the script to Paramount. NORMA
Oh, but you couldn’t possibly think of leaving now, Joe. NORMA
I’ve just spoken with my astrologer.

Musicals – Sunset Boulevard – Betty’s Office At Paramount lyrics

JOE
Are you all right? JOE (Laughing)
That’s the saddest story I ever heard. (They fall into each other’s arms and embrace passionately. BETTY
Please can you tell me what’s happening? (Pause)

I love the back lot here. BETTY
No, but my family always expected me to become a great star. BETTY
Sure. A long kiss.)

BETTY
When I was a kid,
I played on this street,
I always loved illusion. JOE
If you were smart,
You would keep on walking
Out of my life,
As fast as you can. All cardboard, all hollow, all phoney, all done with mirrors;
I think I love it better than any street in the world. BETTY

He wants me to come out to Tennessee. My life was set,
My dreams were in place. JOE
How old are you, anyway? BETTY
Sounds good to me. I just don’t know any more. Please can you tell me what’s happening? We’re floating in mid-air. BETTY
Shouldn’t we open some champagne? My heart could see
Way into the future. Then JOE leads BETTY by the hand back into the office. All of that goes
When I see your face. It is night on the Paramount lot and BETTY is once again at her typewriter,
But this time there is some light on the standing New York street set,
Which is being dressed for action the following day. (He breaks off, amazed to see that SHE’s crying.)

JOE
Why are you crying? JOE
Stop it, you’re making me feel old. Sound advice, great advice,
Let’s throw it away. JOE
Why not? You know we should call it a day. Can one kiss kiss away
Everything I planned? They come to a halt in front of the water cooler.)

JOE
I guess it is kind of exciting, at that, finishing a script. What should I look for? Then BETTY blurts out.)

BETTY
I had a telegram from Artie. If I’m a fool,
Well, I’m too much in love to care. I just don’t know any more. JOE
Sound advice

BETTY
Great advice

JOE AND BETTY
Let’s throw it away. (Pause)

BETTY
I was born two blocks from here. JOE AND BETTY
I thought I had
Everything I needed. What should I look for? JOE watches as BETTY finishes typing. If we are fools,
Well, we’re too much in love to care! JOE
Best I can offer is a stroll to the water cooler at the end of the lot. My life was set,
My dreams were in place. If this is real,
How should I feel? I can’t control
All the things I’m feeling. If we are fools,
Well, we’re too much in love to care. I know it’s wrong,
But I’m too much in love to care. I can’t control
All the things I’m feeling,
I’m floating in mid-air. (Pause. JOE
Second generation, huh? This is crazy. JOE
Well, what’s stopping you! BETTY
Not at all. You’re getting married, isn’t that what you wanted? My father was head electrician at the studio until he died,
And Mother still works in wardrobe. I can’t believe it, I’ve finished my first script! BETTY
It’s exciting, though, isn’t it? My heart could see
Way into the future. I had ten years of dramatic lessons, diction, dancing, everything you can think of;
Then the studio made a test. BETTY
Not any more. BETTY
T-H-E E-N-D! What happened? I spent my childhood here. (HE fixes a couple of paper cups of water, and hands one to BETTY,
Who’s miles away and comes to with a start when he touches her arm.)

BETTY
What? JOE
Is something wrong? I can’t control
All the things I’m feeling,
I haven’t got a prayer. Now we’ve finished the script… He says it would only cost 2 dollars to get married in Clinch. I knew where I was,
I’d given up hope,
Made friends with disillusion. BETTY
Third. I’m not the one
You should pin your hopes on,
You’re falling for
The wrong kind of man. JOE
Don’t you love Artie? Grandma did stunt work for Pearl White. JOE
What were you, a child actress? All of that goes
When I see your face. If this is real,
How should I feel? They kiss again and it is obvious that THEY’re about to make love.) BETTY
Twenty-two. BETTY
You did. I should hate you,
There I was, the world in my hand. JOE
Smart girl. You know we should call it a day. JOE and BETTY walk in silence for a while; BETTY’s expression is deeply preoccupied. (As THEY walk down the Manhattan street, the stage begins to revolve slowly,
So that THEY end up walking Downstage;
And the flimsy struts holding up the substantial sets are gradually revealed. This is crazy. (Suddenly, THEY’re in each other’s arms. No one in my life,
But I look at you,
And now it’s all confusion. JOE
Something’s the matter, isn’t it? I thought I had
Everything I needed. I’m just not in love with him any more, that’s all. BETTY
Of course I do. I thought make-believe
Was truer than life
But now it’s all confusion. Come on.

Musicals – Sunset Boulevard – Back At The House On Sunset lyrics

She’s done well enough. Look at all the fan mail she gets every day. She has moments of melancholy. MAX
Will you be requiring some supper this evening, sir? MAX
I don’t think you understand, Mr. Madame is extremely fragile. Put it back. JOE
I started work on the script
I hacked my way through the thicket
A maze of fragmented ramblings
By a soul in limbo
She hovered there like a hawk
Afraid I’d damage her baby

NORMA
What’s that? MAX
I wouldn’t look too closely at the postmarks if I were you. JOE
Well, that’s tough. JOE
You mean you write them? JOE
I thought we might cut away from the slave market… There have been suicide attempts. MAX
Where have you been? JOE
Norma, they don’t want you in every scene

NORMA
Or course they do. JOE
I’d made my first big mistake
I’d put my foot in the quicksand
It wouldn’t be a few days
Paste and scissors
This would take weeks

The house was always so quiet
Just me and Max and that organ
No one phoned and nobody ever came
And there was only one kind
Of entertainment on hand

Max, what’s on this evening? JOE
Out. We saw that last week. MAX
Yes, sir? MAX
A masterpiece can never pall
She is the greatest star of all NORMA
Cut away from me? I hope it’s not one of her weepy melodramas

MAX
We’ll be showing
One of Madam’s enduring classics
“The Ordeal of Joan of Arc”

JOE
Oh, God. JOE
No. That is, if you want the job. What else would they have come for? JOE
Who the hell do you think you are,
Bringing my stuff up from my apartment without consulting me? MAX
Madame is quite agitated. I assume I can go out when I feel like it. JOE
Why? I have a life of my own – now you’re telling me I’m supposed to be a prisoner here. MAX
I think, perhaps, sir, you will have to make up your mind to abide by the rules of this house. And Max? Gillis. Earlier this evening, she wanted you for something and you could not be found. Because of her career?

Musicals – Sunset Boulevard – At The House On Sunset lyrics

NORMA
Not at all, it is I who should thank you. NORMA
I’ve just spoken with my astrologer. SHE snaps at MAX.)

NORMA
Stop that! NORMA
De Mille is Leo; I’m Scorpio. HE’s alone in the great room, playing solitaire. Last Update: December, 24th 2013 NORMA
No, Joe. HE turns to the audience.)

JOE
So, Max wheeled out that foreign bus
Brushed the leopardskin upholstery. NORMA
Max

MAX
Yes, Madame

(SHE hands the typescript to MAX.)

NORMA
Make sure it goes to Mr. NORMA
Great day. (HE’s on his feet now, and NORMA grips his hand tightly for a moment.)

NORMA
Thank you, thank you, Joe. One great big package, over-sized, like everything else in California;
And it came right through the roof of my room above the garage. (SHE releases his hand and moves off leaving him a little shaken by this turn of events,
His expression rueful. JOE
Oh, Norma, it’s not the money. Into what Max called ” The room of the husbands.”
And on a clear day, the theory was, you could see Catalina. JOE
It’s been real interesting. hasn’t it? Mars is transiting Jupiter, and today is the day of closest conjunction. JOE
In December, the rains came. JOE
Oh, well, that’s all right, then. JOE
You’re really going to give it to De Mille? Where? The sound of heavy rain. NORMA
Yes… JOE
What do you mean? It’s just the beginning,
It’s just the first draft: I couldn’t dream of letting you go, I need your support. At which point I might have left;
Only by then those two boys from the finance company had traced my car and towed it away;
And I hadn’t seen one single dollar of cash money since I arrived. HE looks up at the audience, breaks off from his game. (MAX stops playing.)

Today’s the day. JOE
Well, I can’t stay. It’s day-time but dull enough to need the lights on. De Mille in person. JOE
Will you call and let me know as soon as you have some news? She read De Millle’s horoscope; she read mine. And little by little I worked through to the end of the script. There’s a silence;
NORMA moves up and down in a state of heightened emotion;
JOE is steeling himself to broach a difficult subject.)

JOE
Well…. He trundled along to Paramount
To hand Cecil B. (HE resumes his game;
All of a sudden NORMA sweeps out of her room and down the stairs. NORMA
Max is going to deliver the script to Paramount. our hopeless opus. So she had me moved into the main house. JOE
My apartment. No. SHE’s holding a fat typescript in her hand. My work was over
I was feeling no pain
Locked up like John the Baptist. NORMA
You’ll stay on with full salary, of course… JOE
I want to thank you for trusting me with your baby. MAX is at the organ, wearing his white gloves, playing. (NORMA frowns; SHE turns to him, her expression bewildered.)

NORMA
Call? NORMA
Oh, but, you couldn’t possibly think of leaving now, Joe. JOE
Norma, the script is finished. JOE
Did she read the script? (NORMA now has a look of genuine panic on her face,
And JOE sees that some reassurance is essential.)

Yes, of course, I’ll stay until we get some sort of news back from Paramount. (HE leaves the house by the front door. JOE’s typewriter is no longer on the table, but closed and standing on end on the floor.

Musicals – Sunset Boulevard – As If We Never Said Goodbye lyrics

Could I stop my hand from shaking? NORMA
I don’t know why I’m frightened
I know my way around here
The cardboard trees, the painted seas, the sound here… Has there ever been a moment
With so much to live for? Yes, a world to rediscover
But I ‘m not in any hurry
And I need a moment

The whispered conversations in overcrowded hallways
The atmosphere as thrilling here as always
Feel the early morning madness
Feel the magic in the making
Why, everything’s as if we never said goodbye

I’ve spent so many mornings just trying to resist you
I’m trembling now, you can’t know how I’ve missed you
Missed the fairy tale adventure
In this ever spinning playground
We were young together

I’m coming out of make-up
The lights already burning
Not long until the cameras will start turning… We’ll have early morning madness
We’ll have magic in the making
Yes, everything’s as if we never said goodbye
Yes, everything’s as if we never said goodbye… And the early morning madness
And the magic in the making
Yes, everything’s as if we never said goodbye

I don’t want to be alone
That’s all in the past
This world’s waited long enough
I’ve come home at last! The whispered conversations in overcrowded hallways
So much to say not just today but always… We taught the world new ways to dream! And this time will be bigger
And brighter than we knew it
So watch me fly, we all know I can do it…

Musicals – Sunset Boulevard – New Ways To Dream lyrics

There in the dark
Up on the screen
Where I belong

We’ll show them all
Nothing has changed
We’ll give the world
New ways to dream
Everyone needs
New ways to dream

JOE
I didn’t argue, why hurt her? You don’t yell at a sleepwalker
Or she could fall and break her neck
She smelled of faded roses
It made me sad to watch her
As she relived her glory
Poor Norma
So happy
Lost in her silver heaven

NORMA
Nothing has changed
We’ll give the world
New ways to dream
Everyone needs
New ways to dream
Last Update: December, 24th 2013 NORMA
This was dawn
There were no rules
We were so young
Movies were born
So many songs
Yet to be sung
So many roads
Still unexplored
We gave the world
New ways to dream
Somehow we found
New ways to dream

Joan of Arc:
Look at my face
Isn’t it strong?

Musicals – Sunset Boulevard – Let’s Have Lunch lyrics

SHELDRAKE
Wait a minute. DeMille. MARY
What’re you doing? JOE
It’s about a rookie shortstop. JOE
“Bases Loaded.”

SHELDRAKE
…”Bases Loaded.”

JOE
They’re pretty hot for it over at Twentieth. ALL
Good morning, Mr. 2ND FINANCEMAN
We have a court order. JOE
What I need is three hundred bucks

MORINO
Maybe what you need is a new agent. Somebody, bring in what we’ve got on… Hi, good morning. JOE
Not so great

ARTIE
Will this help? JOE
Hi there, Myron

MYRON
How’s it hanging? SAMMY
Bless you, Joseph

JOE
That you, Sammy? SHELDRAKE
So, pitch. MYRON
Good morning, C.B. JOE
What sort of material do you suggest? MYRON
Morning, Joanna CLIFF
Where’ve you been hiding? SHELDRAKE
Meet Mr. MARY
I’m up for an audition

JOE
Sheldrake is driving me insane

MARY
Don’t forget me when you’re casting

JOE
We should talk

MARY
Gotta run

BOTH
Let’s have lunch

JOE MARY
Morning, Joanna Hi there, Myron

JOANNA MYRON
Who are you meeting? JOE
Thanks, you’re a pal. Joseph Gillis. JOE
But can you see Ty Power as a shortstop? JOE
You wanted to see me. JOE
I just love Hollywood. You look great

JOE MARY
Sheldrake, but do I need it? I’ve read some of your other work and I thought you had some real talent. Good-bye. Gillis. SHELDRAKE
I did? SHELDRAKE
Thank you, Miss Kramer. Last Update: December, 24th 2013 Gillis

JOE
You look great! SHELDRAKE
I believe in self-denial
Gives a man some moral backbone

JOE
Can you loan me three hundred bucks? MYRON
We should talk

JOE
Gotta run

BOTH
Let’s have lunch

MARY
Hi, Mr. JOE
You never call me any more

ARTIE
Found a cuter dancing partner
How are things? Now he’s trying to go straight. He wrote it. James Joyce? BETTY
Well, I’m sorry, Mr. JOE
I see you’re one of the message kids. BETTY
I’m sorry, Mr. JOE
How come you get such lousy breaks? I think I have read this. JOE
“Bases Loaded.” It’s an outline for a baseball picture. JOE
Gillis. JONES
All right, sir, you know your way? JOE
I believe in self-denial
I’m in training for the priesthood

2ND FINANCEMAN
O.K., wise guy, three hundred bucks. SAMMY
How do you like my harem? SHELDRAKE
Why not? Sheldrake. Wait a minute. I expect you’d have turned down “Gone With the Wind”. Going to work with Cukor
Paramount is paradise
Movies from A to Zukor
We should talk, gotta run

GROUP 1
Let’s have lunch

GROUP 2
We should talk

GROUP 1
Gotta run

GROUP 2
Gotta run

ALL
Let’s have lunch! 2ND FINANCEMAN
Give us the keys. SHELDRAKE
Good! SHELDRAKE
No, that was me. MORINO
He’s my wunderkid from Broadway
Every major studio wants him

YOUNGER MAN
Playing one against the other… Gillis. JOE
Yeah. JONES
Name? JOE
Yeah, that was last year. ENSEMBLE
We should talk
Gotta run
Let’s have lunch

JOE
You’ve got to give me some work
I’ll take whatever’s on offer
There must be some shit that needs a rewrite
Throw it my way

SHELDRAKE
I only wish I could help
There’s no spare shit at the moment
Remember the greatest writers starved in Garrets
Didn’t care about pay

JOE
Are you trying to be funny? JOE
I only wish I could help
I loaned it to my accountant
He has an important client down in Palm Springs
Felt like shooting the breeze

1ST FINANCEMAN
Are you telling us you walked here? JOANNA
You look great GIRLS
This is the biggest film ever made CLIFF
I’m trying to make my mind up MARY

Guess I was born to play her DAWN
What is my motivation? JOE
I’ve got a date with Sheldrake

MYRON
I’m shooting a Western down at Fox

JOE
How can you work with Darryl? JOE
Who is this jerk? He’s batting .347. BETTY
I think pictures should at least try to say a little something. And right now, I’d like to crawl into a hole and pull it in after me. Sheldrake. KATHERINE

I hate this weather CLIFF
You look great LIZ
RKO are O.K.! SAMMY
Hi there, Lisa MYRON
How’re you doing? SAMMY
One learns to grin and bear ’em

GIRLS
This is the biggest film ever made. The kid was once mixed up in a holdup. ENSEMBLE
We should talk

SHELDRAKE
This is Miss Kramer. JOANNA
You look great SAMMY
They’re talking nominations LIZ
You should go work for Warners’ MYRON
Is your new script with Sheldrake? JOE
If I could be of any help… I’ve spent the last month fasting

JOANNA MYRON
I’m handing in my second draft I’m shooting a Western down at Fox

JOE MARY
I’d really love to read it Don’t forget me when you’re casting

JOANNA MYRON
We should talk We should talk

JOE MARY
Gotta run Gotta run

BOTH BOTH
Let’s have lunch Let’s have lunch

JOE
Yeah, I have an appointment with Mr. JOE
What’re you playing? 1ST FINANCEMAN
Or we’re taking the car. What the fuck brings you here? Gillis, I couldn’t see the point of it. ENSEMBLE
Let’s have lunch

BETTY
Here’s that “Bases Loaded” materical, Mr. ANITA
Temple virgin

DAWN
Handmaiden to Delilah

JOE
Let’s have lunch
Gotta run

You’ve got to find me a job
I’m way behind with my payments
I thought you were meant to be my agent
I need some work

MORINO
I only wish I could help
This town is dead at the moment
There’s been this slowdown in production… SHELDRAKE
I’m sorry, Gillis. Betty Schaefer. JOE
I love it when you talk dirty. JOE
Hello, Artie

ARTIE
Joe, you bastard! Twenty bucks? BETTY
Schaefer. This year I felt like eating. BETTY
It’s just a rehash of something that wasn’t very good to begin with. What about? Aren’t we lucky? Well, looks like Zanuck’s got himself a baseball picture. 1ST FINANCEMAN
We want the keys to your car

2ND FINANCEMAN
You’re way behind with the payments

1ST FINANCEMAN
Don’t give us any fancy footwork… SHELDRAKE
Joe! MORINO

I’m very close to Sheldrake ARTIE
We shoot next month

SAMMY, SANDY, ARTIE, MORINO, MYRON
Gotta run

JOHN
Let’s drive to Vegas this weekend

KATHERINE, JOANNA
Let’s have lunch

ANITA
You look great JOANNA
I’m handing in my second draft MARY
It’s between me and Dietrich KATHERINE
I’ve landed a big Broadway show ADAM

I’m gonna work for Metro CLIFF
Let’s have lunch MARY
Let’s have lunch

GIRLS
Let’s have lunch, this is the biggest film ever made MYRON
I’d really love to read it CLIFF
I’d know just how to light you JOHN
Let’s have lunch JOHN/LISA

It won’t work MORINO
Let’s pencil Thursday morning

GROUP 1
We should talk

GROUP 2
Gotta run

CHORUS
Let’s have lunch! I made a two-page synopsis for you, but I wouldn’t bother to read it. Dostoyevsky? ENSEMBLE
Gotta run

BETTY
And I guess I was disappointed. Gillis. SHELDRAKE
This is Sheldrake
Bring some water
Get me that shithead Nolan

Nolan, sweetheart
Great to talk
This draft is so much brighter
You’re the best
Even so
I’ve hired another writer

SECRETARY
Mr.

Musicals – Sunset Boulevard – Journey To Paramount lyrics

I was dancing on the table. Himself must call

JOE
I don’t know if this is the time to stand on ceremony. GUARD
Norma who? DEMILLE
I don’t know what you mean, Norma. It’s your show. GUARD
Mr. DeMille is going wild

JOE
Well, that’s wonderful, Norma. No appointment is necessary. NORMA
Yes, you do. NORMA
No; they can wait until I’m good and ready. DeMille. Tell him without me, there wouldn’t be any Paramount Studio. Isn’t that enough? Give me a minute. HEATHER
Maybe I could give her the brush. NORMA
Hello, Mr. JONES
Why, if it isn’t Miss Desmond. MAX
This is Norma Desmond. I have a message for Mr. You need an appointment. And teach your friend some manners. NORMA
Thank you, Jonesy. GUARD
Hey, that’s enough of that. DEMILLE
Come on in. DeMille. NORMA (V.O.)
Thank you, Max. JONES
Get me Stage 18. DEMILLE
It must be about that appalling script of hers. DeMille. What shall I say? HEATHER
She’s here at the studio. GUARD
They don’t have a pass. HEATHER
Norma Desmond is here to see you, Mr. HEATHER
Miss Desmond. Lindbergh had just landed. NORMA
Fine, Jonesy. DEMILLE
A lot of people were. JONES
You heard Miss Desmond. JONES
Stage 18, Miss Desmond. DeMille? MAX
To see Mr. DEMILLE
Well, well, well. Open the gate. NORMA
There’s been a call
What did I say
They want to see me right away
Joe, Paramount, they love our child
Mr. The last time I saw you, we were someplace terribly gay. NORMA
You read the script, of course. DEMILLE
Well, yes… Good luck. DeMille is shooting. NORMA
Won’t you come along, darling? NORMA
Jonesy? NORMA
Now, I know how busy you are during shooting,
But I really think you could have picked up the phone yourself,
Instead of leaving it so some assistant. NORMA
But it was some fool assistant
Not acceptable at all
It he wants me, then Cecil B. It’s happened, Joe
I told you so
The perfect year

Now, let’s go upstairs

JOE
Shouldn’t you at least call back? HEATHER
Mr. NORMA
I’ve been waiting twenty years now
What’s a few more days, my dear? NORMA
Thank you, darling. Open the gate. JOE (V.O.)
It took her three days and she was ready
She checked with her astrologer
Who sacrificed a chicken
She dressed up like a pharaoh
Slapped on a pound of make-up
And set forth in her chariot
Poor Norma
So happy
Re-entering her kingdom

MAX (V.O.)
If you will pardon me, Madame, the shadow over the left eye is not quite balanced. DeMille. DEMILLE
Thirty million fans have given her the brush. DEMILLE
What is it? DEMILLE
Norma Desmond? JOE
It’s your script. How have you been, Miss Desmond?

Musicals – Sunset Boulevard – I Guess It Was 5 A.M. lyrics

A homicide had been reported
From one of those crazy mansions up on Sunset
Tomorrow every front page
Is going to lead with this story
You see an old time movie star is involved
Maybe the biggest star of all

But before you read about it
Before it gets distorted
By those Hollywood piranhas
If you wanna know the real facts
You’ve come to the right party

Let me take you back six months
I was at the bottom of the barrel
I’d had a contract down at Fox
But I’d fallen foul of Darryl
Now I had a date at Paramount
Along with about a thousand other writers
If it didn’t come up roses
I’d be covering funerals
Back in Dayton, Ohio

I’d hidden my car three blocks away
Turned out to be a smart move. JOE (V.O.)
I guess it was five a.m.

Musicals – Sunset Boulevard – Girl Meets Boy (Reprise) lyrics

Don’t see what good it would do. It’s really pretty good. JOE
Where does that get us? JOE
No, I mean this idea we had. BETTY
Yes, but if he’s just a teacher
Then we lose those scenes in the factory

JOE
Not if he’s a champion for the working man. BETTY
Who’s Norma? “Mad about the boy”? Girl likes boy, she respects his talent

BETTY
Working with someone can turn you into a fan

JOE
This is fun, writing with a partner

BETTY
Yes, and it could be… BOTH
I know that we can! BETTY
What if he’s a teacher? JOE
Good. JOE
So how’s Artie? JOE
A helluva movie

BETTY
Can we really do this? It rains all the time, they’re weeks behind. JOE
How about
They don’t know each other
He works the night shift
And she takes clases all day? Back to work. BETTY
I’ll say: this is solid gold. BETTY
What’s good about it? JOE
Who’s who? BETTY
No, it’s great
If they do the same job

JOE
So much in common
They fall in love, wouldn’t you? BETTY
Stuck in Tennessee. I’m missing him something fierce. No one knows when they’ll be back. BETTY
Sorry, I don’t usually read private cigarett cases. Here’s the thing, they both share the same room
Sleep in the same bed
It works out cheaper that way

BETTY
I’ve a feeling you’re just kidding
But to me it sounds believable
Makes a better opening than that car chase scene
Girl find boy, borrowing her toothbrush
Or oversleeping
Or at her sewing machine

JOE
You know, it’s not bad, there are some real possibilities… JOE
Norma’s a friend of mine: middle-aged lady, very foolish, very generous.

Musicals – Sunset Boulevard – Girl Meet Boy lyrics

JOE
Look, Betty, it can’t be done. That way if you get stuck, we can at least talk. Who the hell wants moving? So you write it. A wedding in the last reel

BETTY
It doesn’t have to be so mindless
You should write from your experience
Give us something really moving;
Something true

JOE
Who wants true? Gillis
That’s just what I want. Six o’clock in the morning? JOE
Every time I see some young kid
Dreaming they’ll produce a masterpiece
I just want to throw them on the next train home

BETTY
Never thought
You’d be so condescending

JOE
Sorry, Miss Schaefer
I didn’t come here to fight

BETTY
Girl meets boy
If that’s how you want it
She’s a young teacher
He’s a reporter
It’s hate at first sight

JOE
It won’t sell
These days they want glamour
Fabulous heiress meets handsome Hollywood heel
The problem is
She thinks he’s a burglar
Would you believe it? But I thought we could write it together. Nothing I can teach you. JOE
Come on, Miss Schaefer, you know

BETTY
What? BETTY
Couldn’t we work evenings? We could have had fun
Fighting the studio

BETTY
Yes, Mr. I’m all tied up. I’ve given up writing myself. I’d come to your place. It’s out. JOE
I can’t. Let’s keep in touch through Artie. JOE
Girl meets boy
That’s a safe beginning

BETTY
It’s nearly closing
I thought you weren’t going to show

JOE
So did I
I felt it might be kinder

BETTY
What are you saying? JOE
Just what I said. Write this down
I’ll give you some ground rules
Plenty of conflict
But nice guys don’t break the law
Girl meets boy
She gives herself completely
And though she loves him

JOE/BETTY
She keeps one foot on the floor

BETTY
No one dies except the best friend
No one ever mentions communists
No one takes a black friend to a restaurant

JOE
Very good. BETTY
Oh, I’m not good enough to do it on my own. ARTIE
What a nightmare
Good to see you
Come to my new year’s party

JOE
Last year it got out of hand

ARTIE
Guaranteed bad behaviour

JOE
See you then

BETTY
Don’t give up
You’re too good

JOE
Thanks. Moving means starving
And true means holes in your shoe

BETTY
No, you’re wrong
They still make good pictures
Stick to your story
It’s a good story

JOE
O.K., Miss Schaefer:
I give it to you

BETTY
What do you mean?