Infinite in variety. A hint of Queen Elizabeth the 1st and Klaus Nomi. I doubt any of the advanced ones are friendly. She had swan-like qualities and a shyness — an alienated air about her. The cover line was “Shock + Awe,” and it certainly was! We are still waiting for a 2nd Ave subway line.Photography: Richard Burbridge She had just done a shoot for Martha Stewart’s magazine the day before, a bit of a contrast to our shoot.”Any New Yorker knows first contact won’t be for a while because it’s a transport issue.”A lot of people thought you did that shot digitally, but it was absolutely all done on her face in person. I cast the model myself with whom I’d worked previously in Miami. Fortunately, the distances are enormous. What was your inspiration for the September 2005 cover shoot?The fins and general shapes are similar to some of the fairies in the Hollywood film, A Midsummer Night’s Dream (1935). She was very new. The cover of PAPER’s September 2005 Radical Fashion issue was an other-worldly beauty created by makeup artist Kabuki and photographed by Richard Burbridge. It’s had an evolution.Was it meant to be an alien?Alien in as much as it’s a creature of fantasy. Any New Yorker knows first contact won’t be for a while because it’s a transport issue. Karen Elson as a surreal French maid with a green fish head. She was part alien and part Creature from the Black Lagoon, and truly stunning. I was lucky she was in town. That cover shot was a reinvented version of a mermaid look I used to do on myself in the early ’90s for club nights. Also, some showgirls in the staircase number in The Great Ziegfeld (1936). Sixteen years later, we caught up with Kabuki to talk about that incredible shoot and what he thinks about aliens. How do you feel about putting in effects digitally?Digital imagery is great when it’s integral to the whole concept and not just tacked on at the end. Thierry Mugler saw me in it and did his own fabulous take on it the next season, but in feathers and jewels. I used the first version in an Italian Vogue shoot by Steven Klein in 2007. It’s like asking, “What’s better: oils or watercolor?” It’s all about the artist and how they use the medium.Do you believe in aliens?They are out there of course, lots of them. I don’t know if she kept modeling or not after this.